There was this woman who was very inspiring named Sun Bu’er; she dedicated her life to becoming a teacher of the Tao. And the way she lived her life was unconventional at that time. I thought there was something powerful about her story. Apparently, in order to make a journey, she destroyed her face to be able to travel safely. And she had a partner, she had a family, but she decided she wanted to dedicate her life to spirituality. It was so bold and courageous. And at the end of that song, you hear another voice, which is in [Hebrew], that’s inspired by Miriam, this figure who led an entire people and was a rebellious woman and considered close to the idea of ​​sainthood in Judaism. So I thought that it was cool to have those two voices, the same way how in opera there are so many voices co-existing. So I thought in that song that could happen with that playfulness, yes, and playing with the sound of how Chinese Mandarin would sound.

—via Billboard

I remember I saw like some news of this place that there was like women, robots that were shaped as women and pretty dark and that, I don’t know, I didn’t seem that comfortable in me. I don’t know how I feel about this and then I started how I felt about this and I wrote this song. And there’s two inspirations in two stories that were in that moment inspirations that I was reading about, which was Sun Bu'er, she is una mujer en lo contexto de Tao, very important, that she decided to destroy her face in order to travel safely. Also la historia de Myriam who was una mujer muy important en el judaismo. In judaism, she lead, she was a rebel and she leaded mucha gente and so she represents that rebeliousness, esa rebellion y representa that boldness so I was with those women in the back of my head, I tried to make a bold song. And, of course, hopefully with a sense of humour.

—via France Inter