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{“id”:74555,”date”:”2024-01-18T19:09:34″,”date_gmt”:”2024-01-18T19:09:34″,”guid”:{“rendered”:”https:\/\/creativecommons.org\/?p=74555″},”modified”:”2024-01-19T09:21:02″,”modified_gmt”:”2024-01-19T09:21:02″,”slug”:”uk-court-clears-path-for-open-culture-to-flourish”,”status”:”publish”,”type”:”post”,”link”:”https:\/\/creativecommons.org\/2024\/01\/18\/uk-court-clears-path-for-open-culture-to-flourish\/”,”title”:{“rendered”:”UK Court Clears Path for Open Culture to Flourish”},”content”:{“rendered”:”
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The Electric Boots<\/a>\u201d British Library. Public Domain.<\/figcaption><\/figure>\n<\/figure>\n

In November 2023, the Court of Appeal in THJ v Sheridan<\/em>\u00b9 offered an important clarification of the originality requirement under UK copyright law, which clears a path for open culture to flourish in the UK.<\/p>\n

A game-changing ruling<\/strong><\/p>\n

In setting the copyright originality threshold, the court stated: \u201cWhat is required is that the author was able to express their creative abilities in the production of the work by making free and creative choices so as to stamp the work created with their personal touch.\u201d Crucially, the court affirmed that \u201cthis criterion is not satisfied where the content of the work is dictated by technical considerations, rules or other constraints which leave no room for creative freedom.\u201d For a thorough analysis of the case, see Professor Eleonora Rosatti\u2019s take for the IPKat<\/a>.<\/p>\n

The case is potentially a game-changer in the UK open culture landscape, as noted by open culture advocates Bendor Grosvenor<\/a> (paywall) and Douglas McCarthy<\/a>. How so? Because by setting the standard for copyright to arise based on \u201cfree and creative choices\u201d it effectively bars copyright claims from being made over faithful reproductions of public domain materials (i.e., materials that are no longer or never were protected by copyright).<\/p>\n

No copyright for faithful reproductions of public domain materials<\/strong><\/p>\n

This is a position<\/a> that Creative Commons (CC) has been championing for years as part of our Open Culture Program<\/a>: digital reproductions of public domain material must remain in the public domain. In other words, no new copyright (or related right) should arise over the creation of a digitized \u201ctwin.\u201d Europeana<\/a> and the Communia Association<\/a>, among many other open culture organizations, share this position. It is also aligns with Article 14 of the 2019 EU Directive on Copyright in the Digital Single Market<\/a>, which states that: \u201cwhen the term of protection of a work of visual art has expired, any material resulting from an act of reproduction of that work is not subject to copyright [\u2026]\u201d.<\/p>\n

In practice, this means that CC licenses should not be used by cultural heritage institutions (museums, libraries, archives, etc.) to release digital reproductions of public domain works, since licenses can only be used in connection with in-copyright content. To share digital twins of public domain content, we recommend the public domain dedication tool (CC0) or the public domain mark (PDM).<\/p>\n

A widespread but problematic practice<\/strong><\/p>\n

Alas, a great many institutions still claim full copyright or use CC licenses to share faithful reproductions of public domain material, often against payment of a (steep) fee \u2014 this is particularly prevalent in the UK, as reported by Dr. Andrea Wallace<\/a> in her study for the Towards a National Collection<\/a> program.<\/p>\n

In an effort to curb this undesirable practice, in 2022, a CC Open Culture Platform<\/a> working group led by Deborah De Angelis (CC Italy<\/a>) and Tomoaki Watanabe (CC Japan<\/a>) investigated this issue and developed proposals for technical, legal, and social interventions<\/a> to address the problem of \u201cPD BY\u201d (i.e. the use of CC BY licenses to share reproductions of public domain works). On that basis, we are currently developing a set of guidelines to provide alternative design ideas and platform examples to cultural heritage institutions that wish to better share the digitized public domain cultural heritage material in their collections. Stay tuned for their release soon!<\/p>\n

A new dawn for open culture in the UK and around the world?<\/strong><\/p>\n

This court case unlocks vast untapped potential for open culture to blossom in the UK cultural heritage sector. We are heartened that by offering enhanced legal certainty, this decision will give a boost to cultural heritage institutions to engage more deeply in the open culture movement and make these vast collections openly accessible to everyone.<\/p>\n

Get Involved<\/strong><\/p>\n

For additional guidance and tailored support in developing or implementing open access policies or to get involved in promoting open culture around the world:<\/p>\n