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{“id”:5689,”date”:”2005-11-02T17:13:16″,”date_gmt”:”2005-11-02T17:13:16″,”guid”:{“rendered”:”https:\/\/creativecommons.org\/2005\/11\/02\/ccinreviewlawrencelessigoncontinuingthemovement\/”},”modified”:”2023-09-27T16:07:18″,”modified_gmt”:”2023-09-27T16:07:18″,”slug”:”ccinreviewlawrencelessigoncontinuingthemovement”,”status”:”publish”,”type”:”post”,”link”:”https:\/\/creativecommons.org\/2005\/11\/02\/ccinreviewlawrencelessigoncontinuingthemovement\/”,”title”:{“rendered”:”CC in Review: Lawrence Lessig on Continuing the Movement”},”content”:{“rendered”:”

[This is part of a weekly series written by Lawrence Lessig and
\nothers about the history and future of Creative Commons. If you know others who might find these interesting,
\nplease recommend they sign up at
\nhttps:\/\/creativecommons.org\/about\/lessigletter<\/a>]<\/em><\/p>\n

From last week’s episode:<\/strong><\/p>\n

Thus we use our licenses to build the freedoms authors want upon a
\nreinforced layer of “fair use” freedoms. Creative Commons is thus
\n
“fair use”-plus<\/a>: a promise that any freedoms given are always in
\naddition to the freedoms guaranteed by the law.<\/p>\n

That’s the end of the background. Next week I will describe some of
\nthe fun stuff Creative Commons has built, and some more about where
\nwe’re going.<\/p>\n

The story continues:<\/strong><\/p>\n

About two months ago, a friend asked:<\/p>\n

I don’t get what Creative Commons is, beyond a bunch of servers
\nserving up licenses to people around the world. Why would you need
\nsupport?<\/p><\/blockquote>\n

The question was completely understandable. Most who see us just see
\nus through our licenses. Yet there’s a great deal more to what we’re
\ndoing. And my aim over the next few weeks is to describe that great
\ndeal more.<\/p>\n

This email is just a start (I promised to keep these short). Its aim
\nis to describe the initial core of CC.<\/p>\n

When Creative Commons was launched in December, 2002, we had a
\nsimple, narrow focus \u2014 to spread Creative Commons licenses. The
\norganization was housed in the basement of Stanford Law School. The
\ntiny staff worked so hard that some at Stanford thought they lived
\nthere too.<\/p>\n

The aim at the time was straightforward: to explain why Creative
\nCommons licenses mattered. We did that with lectures, with stories
\nfor the press, and even with
Flash<\/a>.<\/p>\n

Slowly, we found traction. MIT’s OpenCourseWare project used CC
\nlicenses to free an extraordinary range of content for anyone to
\nbuild upon or share. Rice University’s Connexions project did the
\nsame. And Tim O’Reilly gave us over 500 titles from O’Reilly Press to
\nrelease under free licenses, including some under a license (the
\nFounders’ Copyright) that voluntarily reduces the term of copyright
\nto just 14 (or 28) years.<\/p>\n

Very soon into the project, we started getting emails from around the
\nworld asking how others in other countries could participate too.
\nTechnically, our licenses were designed to work anywhere in the
\nworld. But this enthusiasm went far beyond the desire to adopt US-
\nbased licenses.<\/p>\n

So early on we launched the “iCommons Project.” Headquartered in
\nBerlin, the initial aim of the iCommons Project was to coordinate
\nwith volunteers from around the world to develop versions of our
\nlicenses that were tuned to the law of local jurisdictions. Japan was
\nthe first, developing a license based in Japanese law that could also
\nbe used anywhere in the world. These localized licenses would then
\nlink to a translated “Commons Deed” (remember, the simple plain
\nEnglish (and now, plain-Japanese, Spanish, French, etc\u2026) explanation
\nof the license), and then to a universal set of metadata that would
\nmake the freedoms attached to the content understandable by computers.<\/p>\n

See https:\/\/creativecommons.org\/worldwide\/#more<\/a><\/p>\n

iCommons quickly exploded. Soon we had volunteers from over 70
\ncountries around the world interested in porting our licenses to
\ntheir local law. And as countries completed the project, I began
\ntrekking across the world to celebrate the launch of Creative Commons
\ninternationally. With Slovenia’s launch this last weekend, there are
\nnow 24 jurisdictions that have gone live. And a bunch more will
\nbecome live very soon.<\/p>\n

This is the core of what CC has been \u2014 making free licenses work
\nwherever we can. But that’s just the beginning of the work we’ve
\ndone. Next, we’ll describe the Science Commons. And after that,
\nanother major new international project.<\/p>\n

Stay tuned.<\/p>\n

—–<\/p>\n

One final fundraising related bit of news: As you know, I’m writing
\nthese letters as part of our annual fundraising campaign. This letter
\nmight begin to help you see why such a campaign is needed. But I
\nwanted to tell you about a new feature to this campaign: We’re asking
\nour supporters to add a Creative Commons button to their site, to
\nhelp grow the Commoners Movement. Please support us by adding a
\nbutton to any page you might control. You can get the button
here<\/a>.\n<\/p>\n

Thanks for any help you can offer.<\/p>\n

To link to or comment on this message, go to:
\n
https:\/\/creativecommons.org\/weblog\/entry\/5689<\/a><\/p>\n

Week 4 – CC in Review: Lawrence Lessig on CC & Fair Use<\/a> (Spanish
\nVersion<\/a> – Thanks to Maria Cristinia Alvite for translation<\/p>\n

\nArchive of Lessig Letters<\/a><\/p>\n

\nSupport the Commons<\/a><\/p>\n

\nLearn More<\/a><\/p>\n

Comics<\/a> and
\n
movies<\/a><\/p>\n”,”protected”:false},”excerpt”:{“rendered”:”

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